An Open Door From A Closed-Down World

(This story originally appeared in SPIN in February 2021.)

The first story that I ever wrote for SPIN was about The Hold Steady, and specifically, about my trip to see them in London in March of 2020. It was right before the pandemic (which is a clever way of saying that it was totally during the pandemic, but we were simply still convincing ourselves that it wasn’t happening). I always laugh at the memory of those three shows, these sweaty, packed rooms of people from all over the world, an event that somehow didn’t include a devastating body count. About the only concession we made to the real world was that the meet-and-greets with the band didn’t feature the usual handshakes, just us all standing shoulder to shoulder without intentional skin-to-skin contact.

In London, the guys played some new songs and made clear that there was a new album on the way, but months later, as we all sat in a live-music-less world, the album never dropped. Understandably, the band was waiting until they could take the songs out on the road, but once it became clear that live shows weren’t on the horizon, the band decided to release Open Door Policy, their second album as a six-piece band (and their second with producer Josh Kaufman.)

The album is a real departure from most of the band’s previous work. There’s a lot more sonic composition, more complex layering that is common to Kaufman’s work. There are parts that feel like a Craig Finn solo album, and other guitar riffs that are clearly from the heart of THS. But there’s maturity and consequence in the lyrics, an evolution from the days when the kids were making the ER look kind of like an afterbar.

I liked doing this as a Q&A. Especially when I’m writing about a specific album in this way, I prefer to let the artists do most of the talking. I thought that Craig and guitarist Steve Selvidge both made me really think about what they were trying to do, where they succeeded, and what it means for the future of the band and the future of music if we can ever reach a post-pandemic world (fingers crossed).

https://www.spin.com/2021/02/the-hold-steady-craig-finn-steve-selvidge-interview/

Going Steady: A Weekend With The Hold Steady

(This article appeared in SPIN)

For years now, few live events have given me as much joy as Hold Steady shows. It’s a total niche band, the type that only has die-hard fans. No one casually likes them, thinks they’re fine. What makes that fun, though, is the community that takes gets together for each of the concerts.

There’s a fun line from an early song of theirs, “Hornets! Hornets!”: “I like the crowds at the really big shows / people touching people that they don’t even know, yo.” Maybe not the best advice for a series of concerts taking place in the midst of a global pandemic, but your mileage may vary. Anyhow, it’s a mostly perfect assessment of a Hold Steady concert. It’s physical, it’s sweaty, it’s touchy. The only slight untruth: it always feels like most people there know each other.

A few years back, it looked for a bit like the band had kind of broken up. The pianist left, they brought in a second guitarist, and they were putting out music that was just OK, but not as fun as it had been (of course, everyone says that every band’s new stuff just isn’t the same; whatever.). The guys were getting into their mid-40s, they had families, they had solo gigs. And after getting invited to do four straight nights at a Toronto club, the guys realized how much better that was for them than getting on a bus and doing a standard tour. What if, instead of playing a mid-week show in Des Moines, they limited themselves to major cities on weekends, doing multi-night runs that would allow fans to turn the trips into vacations? Instead of being on the road all year, they’d get to perform a bunch of times with less mess and craziness.

When SPIN agreed to buy this story, I was really excited, then surprised and disappointed when the band said they’d rather not do a full interview about it because “It doesn’t feel very rock and roll to talk about this stuff.” But I’m actually happy with how it turned out, just talking to fans and getting their take. I spend a lot of time with Panama Phil, because he’s incredible (and I love his son!), but I really enjoyed the chance to talk with so many different people, including this awesome guy from Denmark. In the end, I feel like I got enough of Craig Finn’s thoughts from the stage; the fans really made the story work.

Hope you’ll read and enjoy!

https://www.spin.com/2020/03/going-steady-a-weekend-in-london-with-the-hold-steady/
https://www.spin.com/2020/03/going-steady-a-weekend-in-london-with-the-hold-steady/